Zoe Chace Is Penelope Clearwater

OK, I know this isn’t dignified, but I’m just barely suppressing a complete fan-boy moment right now. Zoe friggin Chace of NPR’s Planet Money agreed to do Penelope Clearwater for the podcast! And then recorded the lines and sent them to me!

If you don’t know Planet Money, they’re an economics show on NPR with a twice-weekly podcast. Zoe Chace is a regular and she has the most amazing voice (I once geeked out and made a sample clip for people who haven’t heard her yet). The inflection and accent just pull me in, it’s a joy to listen to.

As Penelope only has a few lines I managed to drop them in over the weekend. You can hear them here:

Chap 70 at ~7:45 and 17:50
Chap 50 at ~15:30
Chap 21 at ~7:30
Chap 14 at ~24:30

(72a) Production Notes

One of the challenges of doing this sort of thing non-professionally is that there’s no way to gather a bunch of people together at once. Many of the voice contributions come from people from other states. This makes it very hard to have to two characters say the same thing at the same time. When people are together they can sync up their timing and inflection instinctively. When they don’t even have a chance to hear each other it rarely sounds right. The tempo is too out of whack, or the stress is too dissimilar, or something.

I was actually pretty lucky in the previous episode where I got all three “um…”s to sync up. It helped that there’s not many ways to say “um”, Hannah said “um” several times, and Hermione submitted two takes. But generally the way I avoid this is by simply saying the repeated phrase in narration. It didn’t sound quite right with ‘Wingardium Leviosa’ in today’s episode, so I doubled Lavender’s line, offset it a bit, and changed the pitch so it sounded more like two different people.

It would be possible to coordinate multiple takes to get well-synced simultaneous lines, but it would be a fair bit more work for everyone involved. I don’t want to ask too much from my volunteers, and I need spare time to pursue my other interests as well, so I haven’t bothered yet. The work-around isn’t perfect, but it works well.

(71) Production Notes

IIRC, Eliezer once said that when he first heard of feminism, he was flabbergasted that a concept as basic as “women should be treated as equals” would need a special word to define it. This mirrors my own experience, and I think the confusion of the SPHEW witches captures that initial dumbfoundedness very well. I realize it’s a perk of male privilege to be that unaware of sexism, and no girl would’ve made it to her early tweens unaware that her gender is systematically treated worse. I consider myself a feminist nowadays, and the SPHEW arc has held a special place in my heart since it was first published, in part due to the culture shock of the witches as they learn how muggle women have been treated and how they’ve had to fight against it. It’s probably akin to the shock Harry felt when learning of the wizarding world’s medieval  political/judicial system, but this time we’re seeing it from the outside side.