(MM15) Production Notes

I think it’s super cute that Jimmy and the PI hired to wring information out of him are a couple now. :) I wonder if she told him, or that’ll be one of those “foundations of lies and deceit” things.

It’s interesting the things that are cut from final versions of a story. There’s some backstory in this chapter, and Superman describes a power of his ship. In a removed scene, Lex stumbles across that power himself. It can be found by scrolling down just a little in this thread [NOTE – a commenter recommends Spoiler Warnings. I don’t think anything linked here or below relates to the last few episodes of Metropolitan Man, but I’m putting the warning here just in case. If nothing else, saying that the things herein aren’t spoilers is sorta a meta-spoiler about things you won’t have to worry about, so um… take that into consideration]. Scrolling a little further describes how to read a scene where Superman helps Lex change a flat tire. :) Alexander Wales also wrote a fanfic of his own fanfic that gives a more more in-depth origin story, but I’m not sure if it’s considered canon. Found here.

One of the things that really draws me to this story is how much I empathize with Lois. Her objections to God have always been among my strongest objections to God as well. And as soon as I put together the Superman = God thing (sometime in college, maybe late high school?) I had all her reactions as well. Eventually I realized that this sort of requirement would destroy anyone with human psychology, and that puts me in the interesting bind of agreeing with Lois in ideal, but identifying with Superman in the sub-ideal world we’re stuck in. For anyone struggling with similar issues, I really recommend Scott Alexander’s Nobody is Perfect, Everything is Commensurable (and the related Infinite Debt too).

SFX: Restaurant (Lively Cafe track), City noise (City and The City track)Radio Drama

Music:
Intro/Outro – Handlebars, by Flobots
Luthor Manor – Boccherini’s Minuetto

(MM14) Production Notes

A bit of a short episode today, due to some coordination SNAFU on my part. Next episode will be a little longer than average, to pick up the slack.

Last episode’s production notes were non-existent, so I didn’t get to mention that one of the jurors was played by DaystarEld, writer of the RationalFic “Origin of the Species,” and one half of the Rationally Writing Podcast team!

Today’s episode was sorta personal for me in a way I never expected it to be. Waaaaaaay back in Chapter 2 of HPMoR, Harry says “You’d think there’d be some kind of more dramatic mental event associated with updating on an observation of infinitesimal probability.” We all now know why there was no such dramatic event for him, but I recently discovered that my dad is basically agnostic/atheist, and has been since at least my teens. I had put the probability of my Jehovah’s Witness parents being anything less than full-on believers at significantly less than 1%. To find out everything I believed was wrong, and had been for decades, was a complete mind-fuck. It’s not as dramatic as discovering god doesn’t exist, not by a long shot, because that has some insane flow-through adjustments. But it’s still shocking, and cause for sooo much re-evaluation.

SFX: 1940’s Office, shower

Music:
Intro/Outro – Handlebars, by Flobots
Luthor Manor – Mozart’s Eine Kleine Nachtmusik
Superman Confession – X-ray Vision/Cold Precision, by Echo Beds
Lois Realization – There Are Some Remedies Worse Than the Disease, by This Will Destroy You