Author: Eneasz

Obviously the first thing to mention is that I’m super happy Last Call Romance graciously granted me the use of their song “Over You” to use as the Smallville Theme. I saw them playing in the new year on New Year’s Eve at a local venue, and they were fantastic! I continue to encourage people to go see local bands in their area. Particularly if someone you know knows someone in the band, the personal connection makes it that extra bit more enjoyable. :) If you’re in the Colorado area, Last Call Romance has a webpage and a Facebook page listing upcoming shows.

In personal news, I have a short story published in the March/April issue of Analog Magazine! I wrote about it a bit here. If you’re up for Space Zombies, with Theology, and wonky narrative structures, it might be of interest to you!

Music:
Intro/Outro – Handlebars, by Flobots
Luthor Manor – Boccherini’s Minuetto, Mozart’s Eine Kleine Nachtmusik, 
Mayor’s Veranda – Forest Night, by Tabletop Audio
Smallville – Over You, by Last Call Romance

You may notice that there’s a few lines missing from this episode. And I don’t just mean the usual dropping of “he said”s that aren’t needed. There’s actual legit lines I removed from the final version of this episode, because I couldn’t get them to work right. /sigh. It’s episodes like this one that really remind me of the difference between me and the professionals.

I usually get all the lines for a single character all at once, remotely. The actors never get to meet each other, or hear each other’s lines or how they’re delivered. It’s up to me to give lots of feedback, to make them match. In this episode I failed to do so, and so several times the dialog between Jimmy and Eleanor didn’t quite work. The words were as written on the paper, but the tone of a response didn’t match the tone of the delivery, and I had to cut either one or the other. I considered leaving them in, but the difference was really very jarring. Honestly, I think it would have done more violence to the original work to leave in those lines than to cut them, and it would not have been fair to Alexander Wales to make it sound like he’d messed up the dialog when it was entirely my failure as a director. I hope that the episode is still OK, even as imperfect as it is. I will strive to do better going forward!

SFX: 1940’s Office, doorbell

Music:
Intro/Outro – Handlebars, by Flobots
Luthor Manor – Wagner’s Rienzi Overture
Crime Scene – Nightmare, by Tabletop Audio
Bar – Creep, by Postmodern Jukebox

Not much to say about this one, aside from that I’m extremely happy that Nathan Bowman’s performance is so spot-on.

SFX: 1940’s Office, more city rooftops, telegraph, gaggle of reporters

Music:
Intro/Outro – Handlebars, by Flobots